彩轮原名:The Color Wheel,
JR has broken up with her professor. She enlists her nervous and obnoxious younger brother Colin to take a short road trip in order to **** move out her belongings. They bicker and fight, with one another and pretty much anybody they encounter, before being brought to a place of togetherness and understanding as a result of being pushed away by everybody in their lives except o...
发布于2012年。由亚历克斯·罗斯·派瑞执导,并且由编剧卡尔伦·阿尔特曼、亚历克斯·罗斯·派瑞携幕后团队创作。集众多位卡尔伦·阿尔特曼、鲍勃·拜因顿、凯特·林恩·希尔、亚历克斯·罗斯·派瑞等著名实力派明星加盟。并于2012-05-18公映的电影。
第28届美国独立精神奖:约翰·卡萨维茨奖(提名)。
轻巧、随意又极具沉浸感的影像,并能如此自然地呈现出两个古怪人物在关系上的复杂变化。
lovable sickos(她吐字好清楚 舒适极了
1. white people problem 2. how time changed that those racist sexist jokes back in 2011 that meant to showcase the "cute nerd" now come across creepy and super-cancellable 3. which highlights the fact that despite its attempt to look slick like a cinephilia, it's basically a rehash of boring Americana tropes and values, and the stereotypical meaningless mumblecore filler words only makes it ever **** annoying 4. there are good moments though: the absurdist ***** scenes and surreal incestuous scenes are shockingly "cathartic", but not enough to make up for the stupidity of this whole thing.
不间断的恶毒嘴炮将两人关系拉离了**的框架,继而黑白高噪点的质感,类纪录片式捕捉表演构建起了近似《爱在黎明破晓前》男女在CD试听间狭窄空间内的浓烈磁性而又**的亲密感,文本上和肢体上的互动表面都是有关“性”的突破,但实质是围绕“爱”的试探(这也是觉得姐弟很爱对方的原因)。最后的长镜和景别的*近将“爱”的氛围顶到**,于是乎最后的**是如此的情到深处与水到渠成。这个结局把片子从cliche里拯救了回来,并大胆地跨越了**的框架探讨“人”个体之间的性关系。
结尾有点厉害的。开始时候,姐姐说自己是爸爸唯一的孩子,弟弟反问第一不代表唯一时,有想会不会弟弟不是亲生的,只是没有人告诉他。
我倒觉得最后的场景意料之中,虽然,出乎意料的生活蛮理想化的。
重看@filmoteca amb Alex Ross Perry 细腻精准,入木三分,笑点全部spot on,同时弥漫着一种不属于这个年代的**与隔绝感。Alex可能演的就是本人吧(笑),那时候有点肥肥的,一脸委屈像个包子一样超级!无敌!可爱!
marvelous,bettan than any films of Woody Allen's,影像质感和情绪的双重精准。
4.0 媽呀...盡然讓這部片在我電腦裡躺了足足五年才提起興趣來看...不得不認其實整體把握還挺好的,結尾前一長段沙發聊天太強了,攝影功不可沒。導演演技很萌...尾聲的時候我還是被嚇到了(雖然前面已經多少有了心理預設)..
标准话唠曼波核,气氛略糟,适合宅到百无聊赖的时候看。