哪吒之魔童闹海吕艳婷、囧森瑟夫
唐探1900王宝强、刘昊然
封神第二部:战火西岐黄渤、于适
老枪祖峰、秦海璐
僵尸100:在成为僵尸前要做的100件事赤楚卫二、白石麻衣
角斗士2保罗·麦斯卡、佩德罗·帕斯卡
老师,别哭董钒、王浩宇
掘头巷原名:Bon Bast,又名Dead-End、بنبست、Deadlock
发布于1977年。由Parviz Sayyad执导,集众多位玛丽·阿皮克、Parviz Bahador、Apik Yousefian、Bahman Zarrinpour等著名实力派明星加盟。并于1977公映的电影。
stalker的出现让互相隔绝的不同世界(女主角的内心世界、女主角的家庭、外部世界……)出现了看似兼容的假象,所以尽管前面有更多喜剧的因子,但在本能恐惧的提示下,观众跟女主角的感受会非常错位,我甚至会有一种“这么危险的情况你们怎么还可以说说笑笑”的感觉,像个在银幕外给人物扫兴的存在,而最后一幕反而更像喜剧,但却又真实地被浓黑的阴云笼罩着。 (画面色彩真的很像**70年代的旧照片,那些绿绿的跟最开始的字幕同一个颜色的刮痕 (?) 什么的好看得甚至有点**了。搜了一下才知道“掘头巷”是个粤语的俗语,约等于“死胡同”,但我好像从来没听过这个词……)
坐下了才意识到今天原来有主演映后对谈,参加过不少导演qa倒是第一次参加演员qa,而且时隔50年,银幕里还是少女,坐我前排离我仅2米远的是很有活力的老太太,映后尝试对应少女和她的容颜感觉很微妙。我一直都清晰意识到自己对**电影里女性的sexualized gazing,但今天才意识到这似乎是我看的第一部(伪)爱情故事为主体的片子 主演映后谈片中母亲也是她真实母亲,是她艺名的来源;当时***电影节获奖她从苏联回美国后被CIA请喝茶;她和导演认为片中真正的"villain"不是SAVAK的特工而是破坏少女梦的左派**,和只有那个年代**人才能看懂的对**政治派系的暗示;和观众讲SAVAK背后是美国和以色列,而后对谈的****人教授分享他当年被SAVAK请喝茶的经历,还有一大批左派后来去苏联后的幻灭
电影用绝大部分篇幅渲染了一种不安的幻境,女主典雅而脆弱的气质与此相辅相成,最终随着巷口小男孩的哭声随着长镜头逐渐拉远,倏然**,再也看不到尽头,徒留猩红灯光下女主怅然若失的脸。70年代**街头时尚而澄澈,餐厅里甚至还放着当时在**就妇孺皆知的摇滚单曲……P.S:女主的纠结、自卑、焦虑等暗恋时的小情绪和碎碎念虽然终究是wild goose chase,但真实。
已译中字 ps: 要我排**电影十佳的话 这部至少能进前一二的位置
Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes but with the mind; And therefore is winged Cupid painted blind.
#MIFF 布列松布列松布列松希区柯克
trapped not only in the confines of a room but also stuck in the mind of innocence, the protagonist remains sheltered from the outside world. All only ******* to legitimize the fantasy she projects on a stalker-like figure, who she envisions to be her destined lover, which only leads to the decontruction of her own world. Letterboxd怎么可以简介写那么详细,要是没被剧透就更能感受什么叫被电影最后两分钟一整个掀翻
That literal last minute twist changed everything, though I guess knowing the twist we are also able to re-interpret the events preceding that through an entirely different lens, all the while still acknowledging that the film excels in even just as a melancholic comedy, particularly concerning the loneliness of the girl protagonist, which itself rooted from or at least connected to the oppressive social structure in such a painful way that a literal stalker, who would be treated as scary and repulsive as it should be in most other cultures, is turned into a rather twisted love image in the girl's mind. Incredibly sad.